This prequel to Sofia Coppola's Somewhere stars Stephen Dorff as Glen, a little boy who's afraid of black magic and demons and flies into hysterics over every bad or scary thing that happens and makes repeat demands that on-vacation parents be called and sobs in front of people and feels shame about over-emoting in front of people so hides in his room. Basically, it's a close cinematic match to my personal memories of being a boy.
Glen is such a fucking kid, which I think means Dorff was a good child actor,
AND GLEN IS TOTALLY JUSTIFIED, by the way, in being terrified by the evil-seeming world. There is evil in the world,
the evil is in the backyard.
!!!!!!!!!
Yaaaaay :)
There seem to be a high number of 80s genre movies that promise to deliver fantasy and fun and then deliver those things. I like how inventive they feel -- maybe a lot of contemporary multiplex movies feel less inventive to me because they're not original stories but remakes and adaptations and well you know.
I kept waiting for The Gate to run out of steam. It does not run out of steam FYI. The script is by Michael Nankin, who co-wrote and co-directed the cult-classic Midnight Madness. The script is often sharp and playful, and crisp, and pops. Popcorn dialogue.
Glen has a nice arc about discovering his capacity for courage, and also I like his friend Terry (Louis Tripp, whose career it seems never quite took off), who also feels naturalistic and fleshed-out: he's a nerd/occultist/heavy metal fan (which nears my perception of IRL heavy metal fans) who grieves his mother's untimely death.
One might make the case that The Gate has subtext, but that subtext exists only though subjective interpretation, in some Todd Haynes-type semiotic deconstructionist pov, concerning maybe suburbia and fear of the unknown, if one wanted to make that case. It'd be interesting I bet. If any of that makes sense it's true, I swear.
But overall I think it's the kind of movie that it's best not to overthink. I sat back and experienced the movie and was rewarded with surges of pleasurable adventure. I'm happy to say director Tibor Takács, whose other work is unfamiliar to me, has a sharp eye for cinematics.
I like it as a black magic movie because I don't think black magic is serious. As a godless person I dislike religious black magic movies, like Catholic horror movies, because they're too serious. There are some exceptions, like
Alucarda, which treats the devil in the way I think he works: as an absurdity.
In summary, good job here everyone. The Gate is good. Good job :)
